My Studio
Irie Idea Studio
When COVID shut everything down in 2020, I lost gigs, tours, and my bar shifts in the same week.
Up until then, I’d been working out of a shared studio. When everything stopped, I decided it was time to build my own space.
And that’s how Irie Idea Studio began.
I built this studio to be a place where artists can relax and make great records.
The room combines the flexibility of modern recording with the warmth and character of analog gear. Everything runs through carefully chosen hardware before it reaches the computer, giving me the sound I love without slowing down the creative process.
The space is acoustically treated for accurate listening, but it never feels clinical. Natural light, plants, comfortable seating, and a relaxed atmosphere make it a place where bands actually enjoy spending time.
Whether you’re recording a single vocal, tracking a full band, or mixing a finished record, the studio is designed to keep the focus where it belongs: On the music.
Studio at a Glance
Recording
Tracking and overdubs
Mixing
Analog + digital hybrid
Production
Arrangement to final mix
Natural light
Windows and plants
Pro Tools + Logic
DAWs
The Setup
I record in Pro Tools and Logic, but the computer is only part of the process.
My studio is a hybrid of digital and analog. Analog interfaces, outboard compressors, EQs, analog summing, and some legendary digital effects processors that have been shaping records since the ’70s. Everything runs through the hardware before it hits the software. That’s how I get the warmth and character I’m looking for.
Some people love talking about compressors, EQs, and preamps. Some people never want to think about them.
I’m happy either way.
Your job is to make music. Mine is to make it sound great.
Meet the newest member of the studio
Toft Audio ATB 32 (Rev 3), I’ve wanted this board for a long time.
The Toft Audio ATB 32 (Rev 3) is a vintage-style British console inspired by the same design philosophy behind records I’ve loved my entire life. Its preamps add weight and character. The EQs are incredibly musical. And because everything runs through the board by hand, I can shape a mix in a way that feels more like playing an instrument than clicking a mouse.
It gives me more ways to shape tone, space, and feel while keeping the performance at the center of the record.
Toft Audio ATB 32 (Rev 3). Finally home.
Gear List
Preamps, compressors, EQs… ready to work.
WANT TO GEEK OUT ABOUT GEAR?
I’ve got a healthy amount of outboard gear
If you’re into microphones, compressors, preamps, and all the nerdy stuff, here’s everything that’s in the room.
Below is a detailed list of all my gear.
- A-Designs Audio Hammer 2 Dual Channel Tube EQ
- Audio Merge KTBK-1B
- AudioScape Engineering Co. AS78 1178 Dual Limiter / Compressor
- AudioScape V3A 500 Series Leveling Amplifier x2
- AudioScape Engineering Co. MAP CL-20 x2
- DBX 160X Compressor / Limiter
- DBX 160XT Compressor / Limiter (Revive Audio Modified)
- DBX 166XS Dual Channel Compressor / Limiter
- Empirical Labs EL8-X Distressor w/ British Mode x2
- Furman RV-1 Spring Reverb + EQ
- Grace Design m101 Single Channel Preamp
- Lexicon PCM 41 Digital Delay Processor
- Lexicon PCM 60 Digital Reverberator
- Lexicon PCM 70 Digital Effects Processor
- Little Labs Voice of God 500 Series Bass Resonance Processor
- Manley Labs ELOP+ Dual-Channel Electro-Optical Tube Compressor
- Phoenix Audio DRSQ4 MKII - Dual Mono A Class Mic Pre / EQ
- Rupert Neve Designs Portico 542 500 Series Tape Emulator x2
- Rupert Neve Designs 543 500 Series Compressor / Limiter
- Smart Research C1 Dual Channel Compressor
- Summit Audio TD-100 Tube Instrument Preamp and Direct Box
- Summit Audio TLA-50 Tube Leveling Amplifier
- Warm Audio TB12 Tone Beast Mic Pre (Revive Audio Modified)
- Allen & Heath MixWizard WZ 16:2 (Made in England)
- Pro Tools
- Logic
- Yamaha NS-10M Studio
- Metric Halo 2882 w/ 3D Upgrade x2
- Metric Halo ULN-8 3D
- Microphone List available upon request